| Ellen Isaacs | ![]() |
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Ostensible Invitations
By Ellen Isaacs and Herbert H. Clark Published in 1990 by Cambridge University Press in the journal Language in Society, Volume 19, pages 493-509. AbstractPeople sometimes extend invitations they don't intend to be taken seriously. We call these ostensible invitations. From a collection of spontaneous examples, we argue that they require: a pretense of sincerity by the speaker; mutual recognition of the pretense by speaker and addressee; collusion on the pretense by the addressee; ambivalence by the speaker about its acceptance; and an off-record purpose by the speaker. We describe several techniques speakers use in fulfilling these requirements. We also show that speakers try to achieve their off-record purpose by getting addressees to recognize the expectable effects of the invitation, the situation, and the fact that they chose to extend an ostensible invitation. Finally, we argue that ostensible invitations are part of a class of ostensible speech acts, and these in turn are related to other types of nonserious language use.
Keywords:Speech acts, pragmatics, off record, pretense, nonserious language use.Many invitatinos are only ostensibly invitations. When Mary says, "Let's do lunch sometime," she may appear to make an invitation, and when Justin replies, "Yes, let's," he may appear to accept. Suppose the two of them mutually recognize that neither of them intended what they said to be taken seriously. They are engaging in a pretense, mutually believing all the while that they are doing just that. The aim of the exchange is not to establish the invitations, but to accomplish some other, unstated purpose. We call Mary's invitation an ostensible invitation and Justin's response an ostensible acceptance. The claim is that these are both members of a famiily of ostensible speech acts that also includes ostensible compliments, offers, questions, apologies, assertions and many others. Traditional theories of speech acts (e.g. Austin 1962; Bach & Harnish 1979; Searle 1969) have no account for ostensible speech actcs. In such theoires, a speaker S invites a hearer H to an event only if "S requests H's presence and promises acceptance of his [or her] presence" (Bach & Harnish 1979:51). S is sincere in making such an invitation only if he or she wants H's prsence and intends to accept it. By this analysis, Mary's invitation is insincere (see also Wolfson 1981, 1989). She doesn't really want Justin to come to lunch, although she might accept a lunch date if it arose. Still, it isn't quite right to describe her invitation as insincere. It is not like a lie, an insincere assertion, which is meant to deceive, because Mary and Justin mutually believe they both recognize it for what it is - only ostensibly an invitation and actually something else. Traditional theories offer no account for mutually recognized pretense and its uses. (2) What, then, are ostensible speech acts? What purpose do they serve? How do they work? In an attempt to answer these questions, we focus on ostensible invitations. We first consider their defining features - what it means to be an ostensible as opposed to a genuine invitation. Next, we describe the characteristic features of 156 invitations we collected. This gives us an idea of how ostensible invitations work - how they are designed and recognized. Then we consider what they are used for - what underlying purpose people have in extending ostensible as opposed to genuine invitations. Finally, we compare ostensible speech acts with other types of nonserious speech acts. Methods and DataOstensible invitations are rare in most situations, so it is difficult to collect more than the occasional example by combing ordinary conversations. It also seemed highly unnatural to elicit them in any experimental situation we could think of. So we collected our 154 examples second hand in four ways.One set of 104 examples was collected from 52 undergraduates taking a psycholinguistics class. They were asked to record an instance of one sincere and one insincere invitation or offer they witnessed and, when they could, also report the purpose behind the exchanges. They were asked to describe enough of the context to make the conversation comprehensible and to quote, as best they could, exactly what was said, including just before and just after the invitation. (Examples from another nine students were excluded because they weren't invitations, provided too little context, or described the conversations without quoting them.) The advantage of the examples collected this way is that they reflect a range of people observing spontaneous instances in a variety of naturalistic settings. The obvious disadvantage is that the examples are surely inaccurate in many details and cannot be verified. Still, they struck the students who reported them as true to life. A second set of 40 examples were gathered from face-to-face interviews with ten undergraduates. Each student was asked to recall two sincere and two insincere invitations from their own experience. One was to involve a friend, and the other an acquaintance or stranger. The students were then asked to describe the context, to reenact the dialogue as best they could, and then to explain why they believed the act had been sincere or not. These interviews were tape recorded, and the critical parts transcribed. The interviews were designed to give us more details of the incidents, especially on the issue of sincerity vs. insincerity. Still, they were recollective and subject to inaccuracy of many types. A third set of 10 examples were also gathered in face-to-face interviews, but from 10 pairs of friends at Stanford University. They were asked to recall a time when one had made an ostensible invitation to the other. After they had agreed on the incident but before they had discussed it in any detail, they were interviewed individually. Each one gave his or her version of the context and reenacted the dialogue as best they could. Then they rated their confidence that they mutually believed the invitation wasn't intended to be taken seriously with (1) belong low confidence and (7) high. Finally, they described what they thought had been expressed through the invitation and rated their confidence that this interpretation had been mutually understood. With this method, we could verify that the invitations at issue had been mutually believed to be ostensible. We could also compare the two friends' interpretations of the purpose of the invitation. And because each participant recalled his or her own words, accuracy should be improved (Hjelmquist & Gidlund 1985; Ross & Sicoly 1979). Two final ostensible invitations were tape recorded from spontaneous telephone conversations between the first author and two different friends. These of course were accurate verbatim and verifiable in other ways. They are, however, only two examples. Defining Properties of Ostensible InvitationsOstensible invitations, our data suggest, constitute a coherent class of speech acts that are identifiable by a small number of properties. In setting out these properties, we will refer to an example we elicited in an interview with a man and a woman who were dating.It was early Friday evening, and Ross had a date with Cathy to study later that night. Both of them knew that Ross had planned to drive to Berkeley on Saturday to see Berkeley play UCLA at football, but Ross had just got a call from a friend at Berkeley asking him to come up that night to go out with the guys who had arrived early from UCLA, and he had accepted. So Ross was calling Cathy to cancel the study plans. (3)
Ross: Cathy, Scott just called and told me that Brad and Dave and Rich and
a lot of other guys from UCLA are going to be there tonight, so I guess
we're going to go a night early. [He explains the plans for the
night.] Do you want to come?
As both Ross and Cathy told us, when Ross extended his invitation ("Do you want to come?"), he didn't intend Cathy to take it up, and he expected her to see that. Indeed, she did see that and declined ("That's all right. I'll pass"). So this is an ostensible invitation.
Ostensible invitations, we suggest, are distinguishable from other types of invitations in these five ways, as listed in Table 1: 1. Pretense. In ostensible invitations, the inviter is only pretending to extend a sincere invitation. Ross only pretended was sincerely inviting wanted Cathy to go along that night. 2. Mutual recognition. Inviters intend their pretense to be mutually recognized by them and their addressees. Ross intended Cathy and himself to mutually recognize that he was only pretending to make a sincere invitation. Mutual recognition is an important property for several reasons. Without it Cathy might genuinely accept the invitation, not realizing that it was intended to be seen as merely a pretense. Or she might take it as obviously insincere without realizing she was intended to see that, and she might feel insulted. Or if Ross made his invitation without expecting her to recognize the pretense, then it would be merely insincere, bearing the same relation to sincere invitations as lies bear to assertions. It would simply deceive. So mutual recognition is essential for distinguishing ostensible from genuine but insincere invitations. 3. Collusion. Invitees are intended to collude with inviters on the mutual pretense by responding in kind--by accepting or declining the invitation as appropriate to the pretense. When Ross asks, "Do you want to come?" he expects an answer. If the pretense is to be carried off successfully, Cathy must reply as if the ostensible invitation were intended seriously. So she colludes with Ross by declining. Although the refusal is sincere she might also offer ostensible excuses, or reasons why she supposedly couldn't make it. Or she may respond with an ostensible acceptance, which would extend the pretense. 4. Ambivalence. When inviters are asked "Do you really mean what you say?" they cannot honestly answer either yes or no. When Ross invited Cathy, he expected her to see how inappropriate it would be for her to join him for a night out with the guys. But if she had asked him "Do you sincerely mean it?" he would have been in a bind. "Yes" would have been a lie, because he didn't wholeheartedly want her to come. Yet "no" would have undermined the purpose of the ostensible invitation, because he also didn't wholeheartedly not want her to come. The essential point is this: He would have wanted her to accept the invitation if the situation had been different. The invitation was really a way of showing his desire to be with her, ambivalent as it was. Ambivalence, as we shall see, helps distinguish ostensible speech acts from certain other nonserious speech acts. 5. Off record purpose. Ostensible invitations are extended as a way of expressing certain intentions off record. A person who issues an utterance can be held accountable for certain interpretations of that utterance, and these are said to be on record. There are also certain plausible but not necessary implications of the utterance for which the speaker cannot be held accountable, and these are said to be off record (Brown & Levinson, 1978; Isaacs, 1989). For example, speakers can put off record topics too delicate to put on record; they might do this as a way of testing the waters to see how their partners might react to a sensitive issue. With Ross and Cathy, the invitation and its declination were on record, but their ultimate purpose was accomplished off record. Ross was trying to let Cathy know that (a) he was breaking their date so that he could go out with the guys and yet (b) he would still have liked to have been with her--he still enjoyed and wanted her company. With the ostensible invitation, he could make these two points without raising the awkward topic of whether she had taken offense or questioned his loyalty. And by declining, she showed she was willing to accept these two points without putting them on record and making an issue of them. Our proposal, then, is that ostensible invitations have two layers. At the top layer, Ross makes an invitation, and Cathy declines it. At the bottom layer, Ross and Cathy take collusive actions toward each other with the mutual recognition that the top layer is a pretense. It is the discrepancy between the two layers that gives Ross's and Cathy's actions their functions. What gets put on record, via the pretense, is that Ross would like Cathy to go but that she can't manage it. Off record, thought, he breaks their date while assuring her he still enjoys her company, and she assures him she isnot offended. The feature that is general to ostensible invitations is that Ross shows his ambivalence about her accepting the invitation, and she shows her recognition of that ambivalence. Our view of ostensible invitations differs slightly from Wolfson's (1981, 1989) who had described what she calls ambiguous invitations. She rightly pointed out that the two parties must collaborate to establish the function of those invitations. But our claim is that because they are designed so that addressees will recognize the pretense, ostensible invitations are not intended to be ambiguous. Collaboration is required to confirm mutual belief in the pretense and if possible to make the off-record purpose mutually understood. Until this happens, they may appear ambiguous to the analyst, but in most cases they would not be to the addressee. Of course, sometimes speakers may purposely leave their intentions ambiguous, and if the addressee should take it as a pretense, this would look just like an ostensible invitation. But these are derivative cases. Speakers can do this only because there are such things as ostensible invitations in which the pretense is intended to be recognized. Establishing Invitations as OstensibleHow do speakers make it clear that an invitation is ostensible? They must not only pretend to be sincere, but make sure the pretense is mutually recognized for what it is: an attempt to show their ambivalence. Our sample of invitations suggests seven interrelated features that speakers can exploit in this process, although this list may be incomplete (see Table 2). These features are ones that appear predominantly in ostensible as opposed to genuine invitations. The percentages and statistical tests we will report were based on the 72 ostensible and 72 genuine invitations collected from the class and the individual interviews; the other examples were not included here because there were no genuine invitations to compare them with. (See the Appendix for a breakdown of the data by feature.)
The basic idea in designing an ostensible invitation is to make its pretense at sincerity obvious enough that the addressee will recognize that it was intended to be seen as obvious. Suppose that a female speaker A is inviting a male hearer B to event E. A has many ways of making the pretense mutually obvious (see the Appendix): 1. A makes B's presence at event E implausible. For any speech act to work, certain preparatory conditions must hold (Searle, 1969, 1975). With invitations, A must believe that B would like to be present at event E, and A must be able to provide that which she offers. If the violation is obvious to both of them, then B should believe that the invitation is ostensible. For example, if A invites B to a party when they mutually believe that B has other unbreakable plans, B would have reason to believe that the invitation was ostensible. An example from our corpus illustrates one such violation. Barbara was going to dinner at Diane's dorm. She invited her roommate Felicia to join her, even though they mutually knew that Felicia did not get along with Diane's roommate, Debbie. When Felicia asked if Debbie would be there, Barbara hedged and said "I don't know," which, she later said, indicated Debbie probably would be there. Since it was mutually believed that Felicia wouldn't want to eat dinner with Debbie, but Barbara extended the invitation anyway, Felicia decided the invitation must be an ostensible one. In our corpus, the preparatory conditions were defective in 44 percent (32) of the ostensible invitations, but in only 7 percent (5) of the genuine ones (F(1,71) = 31.43, p < .001). In six of the ostensible invitations, A knew B either had other plans B would be unlikely to break or didn't have the means to get to the event. In another 16, A knew B would have little interest in coming (just as Ross knew Cathy wouldn't want to go out with the guys). And in 10 others, A couldn't practically provide what she had offered. Many everyday invitations are introduced by so-called pre-invitations (Atkinson & Drew, 1979; Levinson, 1983) or leads (Wolfson 1981, 1989, as in Sherri's first utterance in this fragment of an example:
Sherri: Elaine, are you going to stay here and study?
Ordinarily, pre-invitations (like "Are you busy Thursday night?" or "What are you doing tonight?") are used to establish preparatory conditions favorable for making the invitation (like "Then would you like to go to a movie?"). Pre-invitations were reported in 14 of the ostensible invitation and 7 of the genuine ones. In the genuine invitations, they were used in the ordinary way to establish a favorable condition for the invitation. But in the ostensible invitations, as in Sherri's, they seemed instead to establish unfavorable conditions--to highlight the fact that the person was busy at that time--and yet the invitation was issued anyway. That is, in these cases, A explicitly established that the preparatory conditions were likely to be defective. 2. A invites B only after B has solicited the invitation. B can solicit invitations in two ways: through the context or directly. To solicit an invitation through the context, B can take advantage of the rule that, in this culture, it is considered impolite to exclude some members of a group. So B can ordinarily expect an invitation to an event when he becomes aware, as a bystander, that others are planning on attending the event. Assuming it isn't mutually understood why the person has been excluded, B can solicit an invitation by asking questions that highlight his exclusion from the event. In this example, a group of students in a dormitory were about to leave for a movie. Dan, standing nearby, heard the conversation, but was not considered part of the group.
Peter: Guys, let's get going! We're gonna miss the preview before
"Pee Wee's Big Adventure."
B can also solicit an invitation directly. Invitations are usually extended when A can anticipate B's desires. But B can explicitly request an invitation when B believes that A can't or won't anticipate his desires. In this example from our corpus, Joe, who is left-handed, was in his room playing the guitar with the door open. Cliff walked in and listened.
Cliff: That's cool, Joey. [Joe plays a while.] Is that a different
guitar or did you just string it backwards for your left hand?
In our sample 69% of the ostensible invitations were issued when B overheard others talking about or preparing for an event, and 6% more were issued after an explicit request, for a total of 75 percent. Only 19 percent of the genuine invitations were solicited, and these were always solicited indirectly. The difference was reliable (F(1,71) = 52.99, p < .001). 3. A doesn't motivate the invitation beyond social courtesy. If A wants B to accept her invitation, she will usually give him some reason, some inducement, to accept. This is especially important if the invitation is extended only after being solicited. A may justify the invitation by saying why B should accept or by elaborating on it to make it more attractive. In our sample, 82 percent of the insincere invitations were not motivated beyond social courtesy, which compares with only 47 percent of the genuine invitations (F(1,71) = 21.76, p < .001). 4. A doesn't persist or insist on the invitation. For genuine invitations, it is often polite for A to issue an invitation several times before B accepts. A might first issue a complete invitation; B might decline; A might give further reasons why B should accept; B might decline again; A might try a third time; and only then would B accept. So A can show B that the invitation is merely ostensible by accepting B's first polite declination and not giving B another chance to accept. In 39 of the ostensible invitations, B hesitated or declined the first invitation and, on 32 of those times, A didn't issue a second one. But of the 23 times B refused genuine invitations, A failed to pursue the invitation only 6 times, reliably less often than for insincere invitations, 82% to 26% of the time (F(1,60) = 26.71, p < .001). 5. A is vague about arrangements. A must specify the time and place of the event E that B is being invited to, unless they are established by the situation (Wolfson 1981, 1989). A common feature of insincere invitations is that A leaves such logistics vague. "Sometime" clearly is not sufficient to ensure that two people will be at the same place at the same time. If A offers no other arrangements, B has some reason to believe that the invitation was insincere, and if the arrangements are clearly required, B should believe the invitation is ostensible. In our sample, arrangements were not specified by the context for 16 ostensible and 40 genuine invitations. (This discrepancy is because so many of the ostensible invitations were invitations to "come along" to an event whose arrangements B had overheard.) A gave no further details in 11 of the 16 insincere invitations, as compared with only 3 of the 40 genuine invitations, 69 percent to 8 percent (F(1,54) = 37.27, p < .001). 6. A hedges the invitation to B. A can also show that her heart isn't really in it by hedging an invitation with expressions such as "well," "I guess," and "I mean." Note the hedges in the ostensible invitation cited earlier, "Well, uh, do you want to ... uh, if you want to you can come. I mean it really doesn't matter" (italics added). Although our examples are recreated conversations and unlikely to be completely accurate, they should still capture people's intuitions about how ostensible invitations ought to sound. We counted the times A was quoted as using the words, "well," "I guess," "I mean," "maybe," or "if you want." There were one or more of these hedges in 42 percent of the ostensible invitations, but in only 19 percent of the genuine ones (F(1,71) = 7.33, p < .008). 7. A delivers the invitation with inappropriate cues. People who are ambivalent might be expected to hesitate, avoid eye gaze, mumble, speak rapidly, and evince other nonverbal signs that they weren't fully committed to the invitation. In fact, insincere invitations were reconstructed with many of these features. For example, Peter's ostensible invitation, "Well, uh, do you want to ... uh, if you want to you can come," contains two uhs, pause, and one repair. Using only those cues spontaneously mentioned by the students, we counted gaze avoidance, filled or unfilled pauses, mumbling or rapid speech, inappropriate body posture, and inappropriate intonation as instances of inappropriate cues. There were one or more of these cues in 61 percent of the ostensible invitations, but in only 1 percent of the genuine ones (F(1,71) = 42.60, p < .001). These seven features, of course, aren't independent of each other. Making an event implausible and leaving the arrangements vague both work because the preparatory conditions for the invitation don't hold. Failing to motivate beyond social courtesy, failing to persist, and hedging all show A's lack of commitment to the invitation. And so does an inappropriate delivery. Once any of these features becomes obvious enough, B has reason to suspect the invitation is insincere. If the defective feature seems obvious enough that A would have to expect that they would mutually recognize it, B has reason to believe the invitation is ostensible. Interpreting Ostensible InvitationsA can use the techniques just noted to get B to see that the invitation is merely a pretense. But how does A expect B to work out the real purpose? The interpretation of ostensible invitations, we suggest, hangs crucially on three elements: (1) the expectable effects of an invitation on B, (2) the situation, and (3) A's choice of an ostensible invitation in that situation.Most illocutionary acts lead to certain reactions in addressees. A warning may frighten B, a question may get B to provide certain information, and an order may get B to do what was ordered. These reactions are traditionally called perlocutionary effects, or perlocutions (see Austin, 1962; Davis, 1979). Invitations have two expectable perlocutions:
P1. B comes to believe that A wants B to attend event E.
Suppose A invites B to dinner. Ordinarily, that will lead B to believe that A wants B to come to dinner and to feel that A likes or approves of B enough to want B to come to dinner. With ostensible invitations the situation generally makes P1 impossible. It gives B reason to believe that A doesn't really want B to attend event E. But whereas the situation blocks P1, it doesn't preclude P2. Suppose B wasn't able to accept A's invitation because of a prior engagement. Still, B should feel that A likes or approves of B enough to make the invitation. In fact, since there is always some chance B will take A up on the invitation, A shows enough sincerity to be willing to take that risk rather than taking the safer route of conveying the intentions explicitly. So when Ross invites Cathy with "Do you want to come?" the situation makes P1 unlikely--she doesn't believe he really wants her to go along. Yet the fact that he issued the invitation gives her reason to think that he is still trying to elicit P2. She can feel that Ross likes her well enough to invite her, even if it meant he may actually have to follow up on it. In brief, with ostensible invitations, A generally arranges for P1 to be blocked while allowing P2 to stand. But speakers can effect P2 in other ways. Ross could have told Cathy, "I'd love for you to come along if things were different, but you shouldn't," or "I like you well enough to invite you along, but I don't really want you to come." With either utterance, Ross would have put it on record that he was trying to block P1 and effect P2. Now, putting an issue on record has two consequences. First, the issue becomes the current topic of the discourse, and B is encouraged to take it up in B's next utterance. And second, A becomes publicly accountable for the issue. A cannot deny having taken a stand on it. So when Ross chose an ostensible invitation to block P1 and effect P2, he kept these two issues off record. This way, neither of them became the current topic, and he couldn't be held accountable for them. Why keep these two issues off record? Generally, it is to avoid hurting feelings. If Ross went on record that he didn't want Cathy to go along to Berkeley, that might threaten Cathy's self-esteem or face (Brown & Levinson 1978). It might also be face-threatening for Ross to state publicly how much he likes Cathy. It is also clumsy for Cathy to deny being offended, because mentioning it all presupposes it was a reasonable thing to feel. All this is much better left off record, and an ideal way for Ross to do this is via the ostensible invitation. Asserting P2 should, of course, be face-threatening in a great many situations, and that should make ostensible invitations widely useful. Indeed, many of our invitations were extended when they were socially expected, where their absence would have offended the excluded member. These ostensible invitations seem patently designed as face-saving devices. For most of our ostensible invitations, B felt pleased at the gesture, but it is also possible to feel hurt or insulted. In one example, Sharon invited her boyfriend's roommate, Norm, to dinner mostly to tease him for being so shy and studious. It was mutually known that it would be out of character for him to want to go, and Sharon drew on that defect to convey the ostensibility of her invitation. Yet instead of feeling welcomed, Norm, being shy and socially uncomfortable, may well feel hurt that she would fklippantly issue an invitatino that she so clearly wouldn't want to be taken up. In this case, P1 and P2 are quite different.
P1'. B comes to believe that A does not want B to attend event E. Given Norm's reaction, and the fact that Sharon could have anticipated it, Sharon's choice of an ostensible invitation highlights her belief that he is socially inept. In many of our examples, additional off-record implications emerge as a consequence of P2 or P2' in the particular circumstances. When Barbara invited Felicia knowing she won't want to come if Debbie is there, it is a natural consequence of P2 - that Barbara likes and approves of Felicia - that she also accepts her distaste for Debbie even if she doesn't share in it. This is the relevant issue, and conveying acceptance of Felicia also conveys acceptance of the reason she will decline. And when Saron conveys P2' - that she disapproves of Norm - she indicates she disapproves of his reason for declining, that is, his shy, studious nature. In some cases, then a P3 or P3' may emerge.
P3. B comes to feel A accepts or approves of the circumstances that makes the invitation defective.
Ostensible Speech ActsOstensible invitations are only one type of ostensible illocutionary act, which also includes ostensible apologies, questions, assertions, compliments, congratulations, and others. These form a class precisely because they all have the five properties in Table 1: pretense, mutual recognition, collusion, ambivalence, and off record purpose. They differ in their characteristic purposes. Let us consider a few examples.1. Ostensible apologies. Suppose an army officer orders a private to apologize to her for some minor infraction. When the private says, "I apologize," they both may know he is not truly sorry for the act. The purpose of the apology is to establish the private's respect for the officer's authority. The officer must collude by acknowledging the apology. And if asked, "Do you really mean it?" the private cannot truthfully say "yes," but he also can't say "no" without undercutting his intention of showing respect for the authority structure. 2. Ostensible questions and assertions. Greetings are often achieved in part via ostensible questions and answers about health. Consider this exchange from the beginning of a face-to-face conversation (from Svartvik & Quirk, 1980): (4)
A. *good morning*
When B asks "How are you" and A answers "Fine thank you," B is only ostensibly asking about A's health and A is only ostensibly reporting on it. This is corroborated in several ways. First, B doesn't even wait for A's answer ("fine thank you") before starting in on his offer "Would you like to take the comfortable chair." He isn't genuinely interested in her answer and doesn't even expect her to give one. Second, A says not just "fine" but "thank you." She explicitly recognizes A's off record intention to show appreciation. So if B were asked "Do you really mean that?" for his question, he couldn't sincerely say either "yes" or "no." The off-record purpose of exchanges like A and B's is to acknowledge each other, show appreciation for each other, establish their willingness to talk, establish their status relations, and so on (Brown & Levinson 1978, Sacks, 1975). Certain illocutionary acts in singles bars seem to be ostensible too. Opening lines such as "Do you come here often?" or "Haven't I seen you somewhere before?" are often not asked seriously. Rarely does the speaker A genuinely want to know the answer or believe she has met the addressee B before. These questions are mutually recognized for the pretenses they are. They are ways by which A can broach off record whether B is willing to enter an interaction with her. If Karen asks Mike "Haven't we met before" and he answers bluntly "No, we haven't," his reply is intended not to inform her, but to indicate off record that he isn't interested. Karen doesn't truthfully believe they have met before, yet she does want to know whether he wants to meet her now. Ostensible speech acts in such conversations aren't limited to the opening lines. Two people may speak about topics as way of negotiating a sexual encounter. Suppose Will and Susan are discussing their astrological signs. Will might say "You must be a Scorpio because you seem mysterious and exciting and willing to take risks," to which Sue might reply "I like taking risks when there's something worth risking for." Will doesn't necessarily believe Susan is a Scorpio, and she may or may not like taking risks. But they use this pretense to challenge each other to prove they're worth taking a chance on. The point is, the two of them mutually believe they recognize the pretense. Also, Will exhibits an ambivalence. He cannot truthfully say he believes she is a Scorpio, yet he can't really say he doesn't think so. Susan colludes by responding in line with his pretense to show that she recognizes it. If she calls him on it with "You don't know anything about me" or even "get lost!" he is left with his remark exposed as insincere or else he can try to convince her he was sincere. And off record, Will is trying to find out whether she has those qualities. 3. Ostensible compliments. Just before Lance goes on a date, he asks his friend Janice, "How do I look?" Without particularly liking his outfit, she replies, "You look terrific." Since this is the socially appropriate answer, both take it as a pretense. If Lance wanted to know Janice's true feelings, he would have to ask, "Are you sure? Tell me the truth." Janice is ambivalent about her compliment. She doesn't really think he looks terrific, but she does want him to feel good, which is the point of her compliment. Lance must colludeby acknowledging the compliment, as with "That,s" or else the pretense is destroyed. Off record, Janice conveys her support and confidence in him without having to make the issue explicit. 4. Ostensible congratulations. Suppose Eric and Chris, two serious but friendly revals, competed in a race and Eric won. Suppose that after the race, Chris congratulates Eric. Since congraulations indicate gladness for the recipient (Bach & Harnish 1979), they will mutually understand that the gesture is a pretense. chris is ambivalent because he isn't entirely glad Eric won over him, but he still feels happy for Eric as his friend, independent of how it affects him. Eric must collude by accepting the congratulations or risk offending Chris and appearing ungracious. Off record, Chris conveys his respect for Eric's ability and demonstrates that he is not resentful. Many illocutionary acts, therefore, appear to be ostensible. They are mutually recognized as a pretense; they require collusion; the speaker cannot truthfully and publicly admit to either believing or not believing what they have said; and they are done for off-record purposes. Many of these ostensible speech acts, indeed, are types of rituals, or gestures, that are used for politeness just as ostensible invitations are used. Greetings, invitations, offers, and apologies are often conventionalized interactions, which seems to facility collusion. If a ritual is initiated in a patently defective situation, the participants, recognizing it as ostensible, are encouraged to play their parts and collude in the pretense. Nonserious Language UseOstensible speech acts are what Goffman (1974) has called a nonserious use of language, making them akin to irony, sarcasm, facetiousness, teasing, play acting, and others. It is easy to describe their relation to these other types of nonserious language with the five features listed in Table 1. All nonserious uses of language are forms of mutually recognized pretense (properties 1 and 2), and many of them countenance collusion and have off record purposes (properties 3 and 5). But only ostensible speech acts have what we have called ambivalence (property 4). Let us see how.Play acting is the first obvious nonserious use of spoken language. When Gielgud and Evans played Hamlet and Ophelia on stage, they were openly pretending to speak and behave as if they were Hamlet and Ophelia. When Gielgud uttered "Get thee to a nunnery," he wasn't asking Evans to leave. He was engaging in the pretense that he was Hamlet asking Ophelia to leave. The pretense was mutually recognized not just by him and Evans, but by the two of them and the audience, who were themselves engaging in the pretense that Gielgud and Evans were Hamlet and Ophelia. Play acting clearly has properties 1 and 2. The audience, however, doesn't really collude with the two actors, nor do the actors have off record purposes toward the audience. So play acting just as clearly lacks properties 3 and 5. It also lacks ambivalence. Irony is another form of mutually recognized pretense (Clark & Gerrig, 1984; Fowler, 1965; Grice, 1978; pace Sperber & Wilson, 1981, 1986). Take this example of irony in a recorded telephone conversation. Paul has just made a half-serious claim and Julie has playfully attacked iton several fronts. After her final argument, Paul says:
Paul: Weeeeell, yeah but. According to the analysis offered by Clark and Gerrig (1984), Julie is openly pretending to be a naive person praising an obviously unconvincing argument and recommending to another naive person that he use it in an academic setting. But she expects Paul to recognize the pretense and to see that she is making fun, say, of a person who would be convinced by such a flimsy argument. Indeed, the recognition must be mutual. If it isn't, the irony is faulty. So irony involves a mutally recognized pretense (properties 1 and 2) and has an off-record purpose (property 5). Here, it is to indicate that Julie doesn't even buy the half of the argument Paul is taking seriously. The addressee may or may not collude on the pretense (property 3). In this case, Paul did by asserting, "And it'll work, too." But irony does not have the property we have called ambivalence (property 4). If asked, "Do you really mean it," Julie would have no qualms about saying "No, of course not." This is also true of sarcasm and facetiousness. Teasing is another case of mutually recognized pretense. In the following example Rick Berglund and Lynn had sent each other a series of electronic mail messages, and now they were on the telephone trying to establish which was the last one they mutually knew about.
Lynn: Why didn't you call me eaerlier? ... Or send me a message, or something.
Rick teased Lynn for making the typo Berglung in the address of her message, and Lynn recognized this, as shown by her laugh. She responded by pretending to take him seriously with a "po-faced receipt" of the tease (Drew 1987). She actually answered why she sent the message to Berglung even thought she knew he didn't think she did it on purpose. As the example illustrates, teasing has properties 1, 2, and 5, and sometimes 3. Rick was pretending to ask Lynn why she sent a message to a nonexistent person, and his pretense was mutually recognized. She went along with the pretense, appearing to take it seriously. And, finally, Rick's main purpose was to make fun of Lynn's ineptitude. If, however, Rick were asked, "Do you really mean it?" he should be willing to admit, "No, I didn't."
In summary, ostensible speech acts are a type of nonserious language
use - a form of mutually recognized pretense - that also includes play
acting, irony, sarcasm, facetiousness, and teasing. They differ
from the rest in what we have called ambivalence. When asked "Do you
really mean it," the speaker cannot wholeheartedly answer either "yes" or
"no." Ostensible invitations are just one example of this type of speech
act. There are also ostensible apologies, ostensible assertions,
ostensible questions, ostensible compliments, and probably
others. Nonserious language use is common enough in ordinary discourse that no theory of
language use can be complete without an account for it.
2. So-called nonserious language use has been explicitly or tacitly excluded from most philogophical, linguistic, and psychological accounts of language. In How to Do Things with Words, Austin (1962) said, "Language in such circumstances [e.g. play acting, practice] is in special ways - intelligibly - used not seriously, but in ways parasitic upon its normal use ... All this we are excluding from consideration." (Austin's emphases, 22). Austin's descendents, with few exceptions, have followed suit.
3. All dialogues are taken from our corpus unless otherwise noted.
4. Adjacent paris of asterisks indicate overlapping speech.
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